Iranian art received as a complex and ambiguous nature changes in history. It follows the Iranian spiritual feelings. Iranian art has a simple form, and it is far from European Romanticism and the Gothic, but it is full of puns and complexity, the complexity of Iranian art is the product of three geographic and historic factors. The first is Orientalism, the Herbert Reid said: “It has conceptual layers. The second factor is the mixing of Islam some 1400 years ago and finally link Western p>
world (due to the Iranian special geography, which was in mutual relationship with Europe, either by the diplomatic relations, or by invasion. It is for those Iranian Art includes the beliefs of Oriental art, Islamic art and Western art. p>
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Orientalism p>
;
Iranian art p>
Islamic Art p>
Linked to Western art p>
delimitation of any kind in the region is not easy. His relationship between Iranian art not only in the surface, but also in deep artistic concepts combined. It is a unique combination which concepts are combined. It is a unique combination, which was declared the man in the world than Islamic. Unfortunately, the complexity of Iranian art Iranian art one-dimensional view created in this way in history. Because of the lack of specific methodology for understanding the concealed and fundamental ideas of Iranian art, it was always superficial. No doubt, in the direction of the knowledge of the identity of Iranian art needs full study. The first step is the review of the mutual relationship of the various arts in Iranian territory. The author tries to Iranian art as a parallel to explain in a collection. This book defines three main stages. The first stage of the collection of various art as a performing art. At this stage a number of books reviewed and the information will be taken from them. p>
In this phase, even some of the text unchanged from other book. p represented>
in the second stage tries to describe the unique model, has been comparing the various arts. By the charts. This Charts show the charges on the basis of historical time and the recognition of artistic characteristic. And is formed as a table. These diagrams are in the final phase of each chapter given as an abstract. p>
In the third phase, the writer tries to compare them and the basic concepts of the charts that are verifiable, as a basic principle of Iran’s art theory. p>
Undoubtedly, the third stage which is presented at the end of this book is the only factor in the first issue of the principle of the theory in the Iranian art of the stage. The conclusion of these theories and the understanding of the issue of Iran as a complete art form in any artistic need specialized research stage. p>
2-1 Problems of Research p>
As the sources of theories of art in Iran was limited and this done limited area of science, most of the studies were of non Iranian researchers to process and deep knowledge of the Iranian art is very difficult. The problem with these artistic sources into three phases. p> presented
to write;
In the first stage, Iranian scientists have generally information without any editing of research method applied. transformed at this stage most of the information from oral speech. The focus of attention of the Iranian researcher based on the work itself, it is this factor properties cause the reasons for the establishment and creation of a less work to be displayed. There fore, it is impossible
/> In the second stage of foreign Researchers have collected works by processing the model of research. But, unfortunately, is the dominant thinking about the historical division on the west side of history. The difference of understanding history caused the very valuable works of the second century to be less important. > ; is
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third stage, the one-dimensional view of the history of art: The third problem for the realization of the historical encyclopedia of Iranian art is no adjustment of the various arts and its method of urgency to each other. This prompted the impact of art on each other to be less important. p>
3-1 – the method of research p>
, Since the attainment of the lexicon of art have to search far, the most important center of the historical review in this letter will draw attention to the analysis of history. Descriptive history is only at the end of each part as a table. p>
In processing this collection presents two hypotheses, the center of collecting studies. p>
1) The impressionable of art in the field of social culture p>
2 ) Time meeting of various artistic types in the different art. P>
The general model of this division is divided on the conceptual layout of the arts, leisure, in a general area, Visual Arts and Performing Arts is based. But in the details of these divisions, not observed the seven art model and the focus of attention is the most important art of Iran, the drawing that is music, literature (Poetry) p>
The second point in the historical review of the art encyclopedia like knowledge of the historical indices of this art. can write as a form of art historical art to strong and weak point of each art analyzed. Because this type of research have any artistic principles and specific uncertain times, for example, during the Mongol attack had a big effect on the drawing of the Arts, the Alexander’s attack on the architecture of art. P>
The third point in this system is the collection of information. Due to the enormous scope of the historical geographical art of Iran, some of the works from Iran and were collected more information than a library. But attempts have been made in the collection of information, the sources of information to be approved from various sources. Until we can refer to them this method of detection caused by data that the information to be valid. But in any case remain some of the information unanalyzed. The fourth point in this letter is not on philosophical significance of art. It will mean that the writer does not like to define art and have the book does not exist in philosophical challenges, therefore, involved no doubt, some of the works is not artistic works from the perspective of the audience. As a matter of fact that these works play a role in the historical development of art in Iran, they have been reviewed. P>
4-1 – instead of field p>
One of the problems in the processing of this letter was not the presence of certain square area. It will mean that the country of Iran, because of the particular geographical location, not specific political boundaries, and even in some of the age groups in the name of this country, deleted from the wide world will have caused. In any case, what were verified in this letter, the world of the senses of Iranian art, which is undoubtedly the most important part of this work is not in the political border of Iran in the historical times of the Iraq Study in the eastern part of Turkey, the south of a common wealth countries, Russia, Afghanistan and Pakistan is the creation of the artistic field of art of Iran, who in this letter, we paid for it. P>
5-1 – time p>
The historical period that begins studying is the first civilization in Iran and continue until the current century. Due to the fact that we can have two major epochs survey. P>
a) Prior to the Arian immigration. It includes the Mesopotamians p>
Civilization and independent Iranian civilization in current physical card. P>
B) after the Arian immigration: It starts at about 3,600 years, and in the end it forms the Medes civilization after immigration and the presence of the three tribes, namely, Medes, Parthians and Persians in Iran. This country declared independence and formed governments Achaemenid cosmopolitan as a government. P>
Unfortunately, almost all academic research and studies, the Iranians do not separately before and after Islam, but the compiler on it and call it a political separation, which was defined and designed by Islam. In the case of study of the history of Iranian art educational levels will be crystallized. P>
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July 28th, 2010
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